From: The Prince of Wales and other Famous Americans by Miguel Covarrubias (Alfred a Knopf, New York, 1924)
"No artist captured the Harlem Renaissance so well as Miguel Covarrubias or with such devastating wit and sympathy." The Harlem Renaissance, Bruce Kellner (Methuen, New York, 1984)
The Harlem Renaissance was a magnificent flowering of literary and artistic creativity by African Americans based in Harlem in the Twenties and Thirties. Various start and finish dates are quoted, anywhere from the teen years to the late Thirties. Shuffle Along (1921) has been seen by many as its start, while the Great Depression (1929) signaled the beginning of the end, so the Twenties were certainly the hey-day of the Renaissance. During that time Harlem was a magnet for artists and connoisseurs world wide
Florence Mills was a figure of major importance in the Harlem Renaissance. Most of the scholarly texts dealing with the period give little indication of this as they tend to focus on the literary highlights and ignore the musicians and entertainers. The contemporary intellectual leaders of the Renaissance (with notable exceptions in Langston Hughes and James Weldon Johnson ) looked to the European models of high culture (classical music, the Western Canon) to earn respect for black Americans artists, overlooking the rich resources of their own black culture. "The Harlem Renaissance has been treated primarily as a literary movement, with occasional asides, contributed as musical spice, about the jazz age and the performances of concert artists." Samuel A. Floyd Jr. Black Music in the Harlem Renaissance (Greenwood Press, New York, 1990)
I dealt with this topic at some length in a paper I presented to the conference "A Tribute to William Grant Still", held at Northern Arizona University, Flagstaff Arizona, June 24 - 28, 1998. The text of this paper can be read by clicking here: Levee Land, William Grant Still and Florence Mills. The content of the paper has been incorporated into my book in chapters Seven and Eight.
Harlem Renaissance links
While it was noted above that the literature of the Renaissance has been lacking in recognition of Florence's role, the Internet content related to it is more generous, frequently noting her presence. The following links are a sampling of the rich material available out there. Going through them will lead to many others (Web sites and names change frequently. I will try to keep this list up-to-date)
http://www.yale.edu/ynhti/curriculum/units/1978/2/78.02.03.x.html Excellent introductory essay from academic course. Mentions Florence's success in Dixie to Broadway
http://www.yale.edu/ynhti/curriculum/units/1989/1/89.01.05.x.html Good overview of the musical scene during HR, again from academic course. Mentions Florence in Shuffle Along
Description of great touring Schomburg Exhibition "Harlem 1900 - 1940". Florence Mills is featured but you need to navigate the Arts sections of the Main Menu to find her!
The Savvy Traveller looks back at the HR from today's Harlem. Some reminiscences of Florence, & that Schomburg picture again (plus something for the Lindy Hoppers)
http://web.csustan.edu/english/reuben/pal/chap9/9intro.html A good timeline of events and some useful interpretive comments from a political perspective
"The Black Renaissance: A Bibliography of Selected Sources at Howard University (D.C.) ". Items listed include a playbill for Dixie to Broadway
Virtual Harlem Harlem in cyberspace! This site documents Dr Bryan Carter's virtual reality version of Harlem in the 1920s. Status unclear, no longer available on-line but may be traceable for educational purposes here. Here is Dr Carter's current location and activity
Can't afford to buy? Rent Harlem Renaissance books from BookRenter might be an answer
I'll be happy to hear of interesting new sites to add to this list